A new review published on ForumOpera.com, signed by Catherine Jordy, brings a fresh perspective on the Opéra national du Rhin’s touring production of Les Mamelles de Tirésias by Francis Poulenc, presented in Mulhouse. Conceived as part of the Opéra Volant initiative, this production is designed to reach a wide and diverse audience, bringing opera into more intimate venues while showcasing the talent of the young artists of the Opéra Studio.

The article highlights the intelligence and effectiveness of Jean-François Kessler’s staging, which creates a vivid and coherent theatrical universe through deliberately simple, adaptable scenography. Set on a sunlit beach inspired by the 1950s, the production embraces the surreal and absurd spirit of Guillaume Apollinaire’s original text, transforming it into a colorful and lively spectacle that often evokes the energy and rhythm of musical theatre. The playful aesthetic, combined with a constant sense of movement, allows the performance to unfold as a dynamic and engaging experience, where fantasy and theatrical invention are always at the forefront.

Beyond its visual charm, the production is also praised for the strong physical and artistic commitment required from the performers. Singers are continuously engaged on stage, not only vocally but also physically, as they move, dance, and interact with the set and one another. This sustained energy creates a fluid and fast-paced rhythm that supports Poulenc’s eclectic and inventive score. The choice of the two-piano version, adapted by Benjamin Britten, is noted for its clarity and balance, allowing the musical texture to accompany the singers effectively while preserving the stylistic richness of the work, which moves freely between operatic lyricism,
cabaret influences, and popular dance forms.

The review also reflects on the work’s deeper themes, touching on questions of identity, gender roles, and social transformation that resonate strongly with contemporary audiences. While maintaining a light and humorous tone, the production offers space for reflection, staying true to Apollinaire’s spirit of suggestion rather than explicit explanation. This balance between entertainment and meaning contributes to the overall success of the performance, making it both accessible and thought-provoking.

Among the cast, baritone Eduard Ferenczi Gurban is noted for his versatility and stage presence, taking on multiple roles within the production. As the review states, he “assumes his four roles with brilliance and confidence,” bringing vocal solidity, clarity of expression, and a strong sense of characterization to each appearance. His contribution is part of a cohesive ensemble that ensures the performance’s vitality and theatrical impact.

Overall, the article describes a lively and imaginative production that successfully combines humor, movement, and musical finesse, offering audiences an enjoyable and meaningful operatic experience. The warm reception of the performance confirms the strength of this approach and the quality of the artists involved.

Source: Catherine Jordy, ForumOpera.com
Article: “POULENC, Les Mamelles de Tirésias – Mulhouse”
Images: Klara Beck

Read the original article on ForumOpera