Modern Wit and Timeless Satire: La Belle Hélène Opens Clermont Auvergne Opéra’s New Season
In his article titled “La Belle Hélène à Clermont-Ferrand, du mythe à MeToo,” Par Pierre Géraudie reflects on the modern and entertaining adaptation of Offenbach’s La Belle Hélène staged by Clermont Auvergne Opéra to launch their 2024-2025 season. Géraudie praises the production, directed by Olivier Desbordes and performed by the Opéra Éclaté troupe, for its fresh take on the classic operetta, blending humor, music hall style, and modern references. The show takes a critical and playful approach to the story, incorporating elements that connect it to contemporary themes, notably through its nod to the MeToo movement (“MiTou”) and other modern-day quirks, such as royal characters texting and engaging with social media.
The minimalist yet effective stage design includes oversized panels and creative lighting, enhancing the absurdity of the modernized royal family, where kilts and swimsuits replace traditional costumes. The cast’s engaging performances, especially Ahlima Mhamdi as Hélène and Raphaël Jardin as Paris, stand out with strong vocal deliveries and spirited character portrayals. The comedic elements are heightened by energetic choreography, and the humor carries throughout the production, especially during scenes like the “Olympic Games of Intelligence” and King Ménélas catching Hélène with Paris.
Eduard Ferenczi Gurban, playing one of the Ajax characters, is highlighted for his strong stage presence and youthful yet well-projected voice, along with his counterpart, Alexis Brison. The overall production is filled with lightheartedness and clever reinterpretations of classic moments, with a nod to pop culture, including subtle musical references to Star Wars and Bolero. The orchestra, led by Gaspard Brécourt, brings festive energy to the show, much to the audience’s delight, who applauded the exuberant performance.
Géraudie’s review celebrates La Belle Hélène as a successful and fun opening to a new opera season. It emphasizes its clever blend of Offenbach’s satirical spirit with a modern twist, perfectly timed for today’s audience.
