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“An Opera Singer Is Both a Singer and an Actor” — New Press Review for Il Barbiere di Siviglia in Cluj

Following the recent performance of Il Barbiere di Siviglia at the Hungarian Opera of Cluj-Napoca on 7 May 2026, baritone Eduard Ferenczi Gurban received an extensive feature combining both performance review and interview reflections, centered around his interpretation of Figaro and his artistic development.

The article highlights the vibrant energy of Rossini’s masterpiece and praises the lively staging signed by Emese Szabó, describing the production as witty, dynamic, and accessible to audiences of all generations. The review also underlines the brilliance of Rossini’s score, from the famous entrance aria of Figaro to the celebrated “calumny aria,” emphasizing the fast-paced theatrical rhythm and colorful atmosphere inspired by the world of the commedia dell’arte.

Particular attention is given to the musical direction of Szabolcs Kulcsár, who conducted the production for the first time under technically challenging conditions, with the orchestra positioned behind the stage. According to the review, the conductor maintained both energy and cohesion throughout the evening, preserving the richness and vitality of the orchestral sound while sustaining a close connection with the soloists on stage.

At the center of the article stands Eduard Ferenczi Gurban’s portrayal of Figaro, described as charismatic, energetic, and vocally assured:

“Ferenczi Gurban Eduard brought the character brilliantly to life: his confident vocal performance, inexhaustible energy, and natural sense of play captivated the audience throughout the evening.”

The interview portion of the feature offers insight into Eduard’s artistic path, from his early piano studies in Cluj-Napoca to his current activity within the Opera Studio of the Opéra national du Rhin in Strasbourg. The young baritone speaks about the importance of constant artistic growth, his international aspirations, and the formative influence of his family background in opera.

Reflecting on his return to the Hungarian Opera of Cluj after last season’s debut in the same role, Eduard explained that he sought to rediscover Figaro through new interpretative colors and a deeper theatrical perspective, describing the role as one especially close to his personality and artistic temperament.

The article also explores his approach to stagecraft and modern operatic performance:

“It is important for me to establish a connection with the audience, since an opera singer is both a singer and an actor.”

Asked about his dream role, Eduard answered without hesitation:

“Above all, this one! Figaro! I would love to perform it in the world’s greatest opera houses!”

The review concludes by praising the enthusiasm and commitment of the entire production team, noting the warm reception and generous applause offered by the audience at the end of the performance.

Author: Bodó Márta
Source: Szabadság